"The exhibition seems to ask, what happens when we do not check our worst instincts?" writes Jonas Albro in Arte Fuse.
"Miceli’s interest in what she calls 'impenetrable' landscapes raises questions not only about photography's literal and figurative stakes but also its technical and philosophical capacities," says Louis Bury about Projeto Chernobyl.
"It’s a haunting and fitting disjunction for trying to comprehend such severe, man-made devastation," says The New York Times.
From a book of cross-border children’s poetry to a Quechua-language film to a “gloriously demented” Brazilian Western, here’s what we enjoyed this year.
Hyperallergic features Victoria Cabezas and Priscilla Monge: Give Me What You Ask For in its yearly roundup of favorite New York City exhibitions.
The Brazilian artist's exhibition shares a radiography of how "humanity affects the world."
Brazilian artist Alice Miceli spoke to Atlas Obscura's Winnie Lee about the creative process behind Projeto Chernobyl.
