Nineteenth-century engraving of a parading cabildo

Nineteenth-century engraving of a parading cabildo. (Image courtesy of María Teresa Linares)

Music of the Americas 2022 Winter and Spring Concerts

Join Americas Society for the hybrid second half of the 2021–2022 season, including opera, early music, and premieres.

The 2021–2022 season of the MetLife Foundation Music of the Americas Concert Series continues live in New York City and online.

The season will be hybrid, with live concerts presented in New York and productions prepared specifically to be shared online. Video versions of the live concerts will be released after each show and remain online for later viewing.

Concerts will include the U.S. premieres of the Guaraní opera Ñomongetá and the Afro-Cuban opera Manita en el suelo, Canadian baritone Jonathon Adams in a program of music by Ignatz Bieber with Robert Mealy, the St. Luke's Chamber Ensemble's Five-Borough Tour, Brazilian singer Luedji Luna, Americas Society's vocal ensemble Meridionalis in a program of baroque Mexican music, vocal ensemble Ekmeles, guitar music with Colombian Trio Fabián Forero, and the return of Uruguayan master guitarist Eduardo Fernández to our stage after 45 years.

En Casa and Recuerdos also continue.

Stay tuned by following Music of the Americas on Instagram, YouTube, Facebook, and Twitter!

Jonathon Adams and Robert Mealy

February 17, 7 p.m.

Indigenous Canadian baritone Jonathon Adams makes their Music of the Americas debut with a program of German baroque music, joined by an all-star early music band led by violinist Robert Mealy.

Ekmeles

March 4, 7 p.m.

The adventurous vocal ensemble Ekmeles makes its debut in our series with music by Hilda Paredes, Tania León, Mauricio Kagel, and Marc Sabat.

Orchestra of St. Luke's

March 11, 7 p.m.

The Orchestra of St. Luke's is back on our stage with a program music by living composers who write with concern for the earth's survival and future.

Fonema Consort

March 19, 6 p.m.

The new music ensemble comes to our physical stage after a virtual concert last season. This program, "Her Words," presents new works by three Latin American composers based in the United States, alongside a piece by pioneering Argentine composer Graciela Paraskevaídis.

Luedji Luna

March 25, 7 p.m.

The Afro-Brazilian singer-songwriter presents a new video of her latest show in this virtual concert.

Meridionalis

April 24, 7 p.m.

Americas Society's vocal ensemble is back on stage with a program of Mexican baroque music.

Ñomongetá

May 15, 7 p.m.

The U.S. premiere of this Guaraní-language opera by Paraguayan composer Diego Sánchez Haase.

Fabián Forero Trío

May 20, 7 p.m.

The Colombian trio, dedicated to innovation and dissemination of their country's traditional music joins our virtual stage with a live show recorded in Bogotá, highlighting the music of legendary Colombian guitarist and composer Gentil Montaña.

Momenta Festival

June 1 and 3, 7 p.m.

The imaginative string quartet's annual festival is live again with two evenings of carefully selected and beautifully performed string music.

Manita en el suelo

June, date TBD

U.S. premiere of the puppet opera Manita en el suelo, by Alejandro García Caturla and Alejo Carpentier, directed by Doug Fitch.

New York Guitar Seminar

July, date TBD

We close our hybrid season with the opening concert of the New York Guitar Seminar, featuring the return to our stage of Uruguayan master guitarist Eduardo Fernández after 40 years.

Funders

The MetLife Foundation Music of the Americas Concert Series is made possible by the generous support of Presenting Sponsor MetLife Foundation.

MetLife Foundation

The Spring 2022 Music program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and by the Howard Gilman Foundation.

Howard Gilman Foundation NYC DCA New York Council on the Arts

Additional support comes from the Alice M. Ditson Fund of Columbia University, The Augustine Foundation, and the National Endowment for the Arts.

The Augustine FoundationNEA