A exposição Moderno na Americas Society mostra o crescente interesse no desenho latino-americano devido as identidades diversas e a mestiçagem refletida nas peças de disenho.
Americas Society's Moderno exhibition highlights the region’s lesser-known but influential exponents of the postwar movement from Brazil, Mexico, and Venezuela.
The New York Times reviews Americas Society’s Moderno, suggesting a pattern of innovation in Latin American design that only received full recognition now.
For Mexico to reach its economic potential, it needs to address the costs of rule of law, writes Americas Society Board Member Antonio Garza for the Dallas Morning News.
El diseño moderno de América Latina 1940-1978 es el eje de una muestra inédita en Americas Society que explora este mundo a través de grandes figuras en México, Venezuela y Brasil.
"There clearly is an impression that press freedoms in the Western Hemisphere are being challenged," points out COA’s Eric Farnsworth on firing of high-profile journalist Carmen Aristegui in Mexico.
This robust exhibition at Americas Society highlights how in postwar Latin America, modern design was a national enterprise endorsed by governments undertaking grand schemes of industrialization and urbanization.