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ASCOA
In the News
Women Photographers in Exile: A Conversation With Curators Christina De León and Michel Otayek
December 12, 2016
/ Alexandra Goldman

In an interview for Whitehot Magazine, the curators spoke about their motivation behind shining the spotlight on Kati Horna's talents in Told and Untold at Americas Society.

Mexico
Arts & Culture
ASCOA
In the News
Kati Horna, una de las pocas mujeres que fotografió el frente en la Guerra Civil Española
December 9, 2016
/ Amanda Mars

Nueva York acoge por primera vez una retrospectiva de la artista Kati Horna, presentada en Americas Society, desde sus años en Europa hasta su exilio en México.

Mexico
Arts & Culture
Mexico deepwater drilling
Viewpoints Americas
Viewpoint: Five Things to Know about Mexico's Deepwater Oil Auction
December 8, 2016
/ Naki Mendoza

AS/COA Director of Energy Naki Mendoza outlines what made this bidding round a success and what comes next for Mexico’s energy sector.

Mexico
Energy & Commodities
Americas Quarterly
Mexico’s Energy Opening Looks Like a Success. Will It Last?
December 6, 2016
/ Benjamin Russell

With presidential elections around the corner, investor enthusiasm is no guarantee for Mexico’s new energy future.

Mexico
Energy & Commodities
ASCOA
In the News
Told and Untold: The Photo Stories of Kati Horna in the Illustrated Press @Americas Society
November 30, 2016
/ Loring Knoblauch

Told and Untold at the Americas Society is a well-edited five decade survey of Kati Horna's work from Spanish Civil War photojournalism to emotional surrealism.

Mexico
Arts & Culture
ASCOA
In the News
Mexico to Trump: We Don’t Need You, You Need Us
November 30, 2016
/ Ana Campoy

"If you try to break that connection, then all economies suffer,” says AS/COA's Eric Farnsworth on U.S.-Mexico ties in view of Trump's trade policy.

Mexico
United States
Trade
ASCOA
In the News
A Forgotten 20th-Century Photographer Who Folded Her Work into the Fabric of Life
November 28, 2016
/ Susan Silas

An exhibition at Americas Society spotlights Kati Horna, who believed that the circulation of images, rather than the standalone photograph, could bring about social change.

Mexico
Arts & Culture
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