Jaime Lauriano. (Image: Flávio Freire)
In the Studio: Jaime Lauriano
Americas Society hosts the Brazilian artist on Instagram Live to discuss his work and artistic practice.
Brazilian artist Jamie Lauriano will be in conversation with co-curator of Bispo do Rosario: All Existing Materials on Earth Tie Jojima. This program will be held in conjunction with our current exhibition, Bispo do Rosario: All Existing Materials on Earth.
This program will be conducted in Portuguese.
Join us live on Instagram from your cell phone, or watch on YouTube after, for a series of remote visits to artists' studios to bring Americas Society's Visual Arts public programs to your home. Check out the series playlist.
About the artist
Jaime Lauriano (São Paulo, 1985) lives and works in São Paulo, Brazil. He graduated from the Centro Universitário Belas Artes de São Paulo in 2010. Among his most recent exhibitions inlcude: Paraíso da miragem, Kubik Galerry, Porto, Portugal (silêncio coletivo), 2022; Anunciação, Hangar, Lisboa, Portugal (silêncio coletivo), 2022; Marcas, Fundação Joaquim Nabuco, Recife, Brasil, 2018; Ao Norte do Rio, Sesc Santana, São Paulo, Brasil, 2018; an Brinquedo de furar moletom, MAC Niterói, Rio de Janeiro, Brasil, 2018. His group exhibitions include: 37º Panorama da Arte Brasileira, Museu de Arte Moderna de São Paulo, São Paulo, Brazil, 2022; Social Fabric: Art and Activism in Contemporary Brazil, Visual Arts Center—The University of Texas, Austin, USA, 2022; Ocupação biblioteca Inhotim, Inhotim, Brumadinho, Brazil, 2022; 13ª Bienal Internacional de Arquitetura de São Paulo, CCSP, São Paulo, Brazil, 2022; Histórias brasileiras, MASP, São Paulo, Brazil, 2022; Afro-Atlantic Histories, National Gallery of Art, Washington DC, USA, 2022; Carolina Maria de Jesus: um Brasil para brasileiros, Instituto Moreira Salles, São Paulo, Brazil, 2021; and Museo de la democracia, NGBK Berlim, Germany, 2021. He has works in the public collections Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil; Fundação Joaquim Nabuco, Recife, Brazil; MAC Niterói, Niterói, Rio de Janeiro, Brazil; MAR – Museu de Arte do Rio, Rio de Janeiro, Brazil; MASP – Museu de Arte de São Paulo, São Paulo, Brazil; Museu Casa das Onze Janelas, Belem, Pará, Brazil; and Pinacoteca do Estado de São Paulo, São Paulo, Brazil e Schoepflin Stiftung: The Collection, Lörrach, Alemanha.
Visit the Americas Society Visual Arts YouTube Channel for recordings of In the Studio Series and other previous events.
Follow the conversation on Instagram: #IntheStudioAS | @americassociety.visualarts
More digital content from Visual Arts at Americas Society:
- Check out the current exhibition: Bispo do Rosario: All Existing Materials on Earth.
- Check out the current iteration of our Flag Series: Raul Mourão
- Read about the previous exhibition Tropical is Political: Caribbean Art Under the Visitor Economy Regime
- Read the exhibition catalogue for This Must Be the Place: Latin American Artists in New York, 1965–1975.
- Watch videos of recent events:
- Elena Damiani's Zenith
- Tropical is Political: Caribbean Art Under the Visitor Economy Regime
- Geles Cabrera: Museo Escultórico
- Young Filmmakers in New York: Collective Visions Screening
- This Must Be The Place: An Oral History Book Launch
- This Must Be the Place: Latin American Artists in New York, 1965–1975
- Terence Gower: The Good Neighbor
In the Studio series
Check out previous conversations with artists bringing us to their virtual studios.
Major support for the exhibition is provided by Almeida & Dale Galeria de Arte.
The presentation of Bispo do Rosario: All Existing Materials on Earth is made possible in part by the National Endowment for the Arts, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
Additional support comes from the William Talbott Hillman Foundation, the Cowles Charitable Trust, the Garcia Family Foundation, and the Consulate General of Brazil in New York.
In-kind support is provided by Ternium Brazil. With thanks to Fundación PROA in Buenos Aires for their help on this project.
Americas Society acknowledges the generous support from the Arts of the Americas Circle contributors: Estrellita B. Brodsky, Virginia Cowles Schroth, Emily A. Engel, Diana Fane, Almeida & Dale Galeria de Arte, Isabella Hutchinson, Carolina Jannicelli, Vivian Pfeiffer, Phillips, Gabriela Pérez Rocchietti, Erica Roberts, Sharon Schultz, Diana López and Herman Sifontes, and Edward J. Sullivan.