Exhibition

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime

Caribe Hostil. (Yiyo Tirado)

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime

On view: through

Americas Society presents Tropical is Political: Caribbean Art Under The Visitor Economy Regime, curated by Marina Reyes Franco. The show investigates the ideas of natural and fiscal paradise, and the geographical coincidence of these concepts within the Caribbean region, where tourism and finance form the “visitor economy regime.” Tropical is Political features works by 19 contemporary artists from the Caribbean and its diasporas, including Allora & Calzadilla, Sofía Gallisá Muriente, Gwladys Gambie, Abigail Hadeed, Joiri Minaya, José Morbán, Dave Smith, Yiyo Tirado, Oneika Russell, among others. Through video, installation, painting, and sculpture, the exhibition will underline the effects of tourism and finance on subjects including economic policy, self-image, and artistic production.

The exhibition will be on display from September 7 to December 17, 2022.

View gallery and visitors information here.

This exhibition is curated by Marina Reyes Franco, curator at the Museo de Arte Contemporáneo de Puerto Rico. Tropical is Political is presented in collaboration with Museo de Arte Contemporáneo de Puerto Rico, San Juan where the exhibition will be on view in spring 2023.

Image: Yiyo Tirado, Caribe Hostil, 2020. Blue glass neon. Dimensions variable. Courtesy of the artist and Km 0.2 

Funders

Major support for the exhibition in both Americas Society and MAC is provided by The Andy Warhol Foundation for the Visual Arts. The presentation of Tropical is Political: Caribbean Art Under the Visitor Economy Regime is made possible in part by the National Endowment for the Arts; by public funds from the New York City Department of Cultural Affairs in partnership with the City Council; by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; by Etant donnés Contemporary Art, a program from Villa Albertine and FACE Foundation, in partnership with the French Embassy in the United States, with support from the French Ministry of Culture, Institut français, Ford Foundation, Helen Frankenthaler Foundation, CHANEL, and ADAGP; and by the Smart Family Foundation of New York.

Americas Society acknowledges the generous support from the Arts of the Americas Circle contributors: Estrellita B. Brodsky, Virginia Cowles Schroth, Sharon Schultz, Emily A. Engel, Diana Fane, Galeria Almeida e Dale, Isabella Hutchinson, Carolina Jannicelli, Vivian Pfeiffer, Phillips, Gabriela Pérez Rocchietti, Erica Roberts, Diana López and Herman Sifontes, and Edward J. Sullivan. The presentation of the exhibition at MAC in San Juan is made possible by support from Teiger Foundation.