Exhibition

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime

Caribe

Caribe Hostil. (Yiyo Tirado)

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime

On view: through

Americas Society presents Tropical Is Political: Caribbean Art Under The Visitor Economy Regime, curated by Marina Reyes Franco. The show investigates the ideas of natural and fiscal paradise, and the geographical coincidence of these concepts within the Caribbean region, where tourism and finance form the “visitor economy regime.” Tropical Is Political features works by 19 contemporary artists from the Caribbean and its diasporas. Through video, installation, painting, and sculpture, the exhibition will underline the effects of tourism and finance on subjects including economic policy, self-image, and artistic production.

Artists: Allora & Calzadilla, Dionne Benjamin-Smith, Ricardo Cabret, Carolina Caycedo, Blue Curry, Sofía Gallisá Muriente, Gwladys Gambie, Dalton Gata, Abigail Hadeed, Donna Conlon & Jonathan Harker, Darién Montañez, Joiri Minaya, José Morbán, nibia pastrana santiago, Oneika Russell, Dave Smith, Yiyo Tirado, Viveca Vázquez, and Averia Wright

The exhibition will be on display from September 7 to December 17, 2022.

View gallery and visitors information here.

This exhibition is curated by Marina Reyes Franco, curator at the Museo de Arte Contemporáneo de Puerto Rico. Tropical Is Political is presented in collaboration with Museo de Arte Contemporáneo de Puerto Rico, San Juan where the exhibition will be on view in spring 2023.

The New York installation of this exhibition was organized by Rachel Remick, Assistant Curator, Americas Society. 

Image: Yiyo Tirado, Caribe Hostil, 2020. Blue glass neon. Dimensions variable. Courtesy of the artist and Km 0.2 

Photos from the Exhibition
(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)

(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)
(Image: Arturo Sánchez)

Press Inquiries
and Registration

mediarelations@as-coa.org

1-212-277-8333

Funders

Major support for the exhibition in both Americas Society and MAC is provided by The Andy Warhol Foundation for the Visual Arts. The presentation of Tropical Is Political: Caribbean Art Under the Visitor Economy Regime is made possible in part by the National Endowment for the Arts; by public funds from the New York City Department of Cultural Affairs in partnership with the City Council; by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; by Etant donnés Contemporary Art, a program from Villa Albertine and FACE Foundation, in partnership with the French Embassy in the United States, with support from the French Ministry of Culture, Institut français, Ford Foundation, Helen Frankenthaler Foundation, CHANEL, and ADAGP; and by the Smart Family Foundation of New York.

Americas Society acknowledges the generous support from the Arts of the Americas Circle contributors: Estrellita B. Brodsky, Virginia Cowles Schroth, Sharon Schultz, Emily A. Engel, Diana Fane, Galeria Almeida e Dale, Isabella Hutchinson, Carolina Jannicelli, Vivian Pfeiffer, Phillips, Gabriela Pérez Rocchietti, Erica Roberts, Sharon Schultz, Diana López and Herman Sifontes, and Edward J. Sullivan. The presentation of the exhibition at MAC in San Juan is made possible by support from Teiger Foundation.

French Embassy to the United States
Press
Tropical is Political: Caribbean Art Under the Visitor Economy Regime at Americas Society, New York. (Image: Arturo Sánchez)
The New Yorker on Tropical Is Political

The New Yorker

Goings on About Town featured Americas Society's current exhibition, Tropical Is Political: Caribbean Art Under the Visitor Economy Regime.

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime en Americas Society. (Foto: Arturo Sánchez)
El Diario Nueva York: Agenda de eventos

El Diario Nueva York

El Diario Nueva York recomienda la nueva exposición de Americas Society, Tropical Is Political: Caribbean Art Under the Visitor Economy Regime.

Programs
Publications
Video