Main menu

Visual Arts at Americas Society

Arts and Culture

Americas Society Gallery does not accept unsolicited submissions and materials. Our staff is not authorized to receive or review artist or exhibition proposals.

The Visual Arts program boasts the longest-standing private space in the U.S. dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada; it has achieved a unique and renowned leadership position in the field, producing both historical and contemporary exhibitions. The Visual Arts program presents three exhibitions annually, each accompanied by a series of public and educational programs featuring outstanding artists, curators, critics and scholars. The Visual Arts program produces exhibition catalogues as well as scholarly publications, including the seminal work, A Principality of Its Own: 40 Years of Visual Arts at the Americas Society.

The gallery is closed until October 9, and will be closed again November 28–30 and December 25–January 4 for the holidays.

The Society’s Visual Arts department, dedicated to fostering a better understanding of art in the American regions beyond U.S. borders from the pre-Columbian era to the present day, produces gallery exhibitions, illustrated catalogs, and a variety of public programs. The quality of our exhibitions attests to the diversity and heritage of the Americas, and upholds the mandate of the Americas Society to foster a better understanding of the art made in these regions from the pre-Columbian era to the present day.

The visual arts program boasts the longest-standing private space in the United States dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada. Americas Society is recognized for its catalyzing role in establishing Latin American art markets in the United States and helping to expand the notion of modernity in the western hemisphere. The success of the department is rooted in its role as not merely a consecratory venue, but also as a platform for new artistic visions and achievements from throughout the Americas.

UPCOMING EVENTS PAST EVENTS   

Upcoming Exhibition

Alice Miceli: Projeto Chernobyl

October 9, 2019 trough January 25, 2020

This exhibition presents Alice Miceli’s Projeto Chernobyl (Chernobyl Project), a series of 30 radiographs produced in 2006–2010. Miceli developed a method of image making to document the enduring effects of the Soviet nuclear plant explosion of April 26, 1986. Though gamma radiation continues to be present and to cause health problems and deaths in the area, it is invisible to the naked eye and to traditional methods of photography that have been used to document the region’s ruins. With Projeto Chernobyl, Miceli made this contamination visible via direct contact between the radiation and film, which was exposed in the Chernobyl Exclusion Zone for months at a time. Both technically and conceptually complex, Miceli’s work questions our ideas of vision, memory, politics, and environmental issues.

Learn more about the exhibition.

The Visual Arts program boasts the longest-standing private space in the U.S. dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada; it has achieved a unique and renowned leadership position in the field, producing both historical and contemporary exhibitions. The Visual Arts program present three exhibitions annually, each accompanied by a series of public and educational programs featuring outstanding artists, curators, critics and scholars.

Explore our past exhibitions below, and view a timeline of Visual Arts exhibitions dating back to 1967.

Past Exhibitions

As a Satellite Space: La Panadería

July 02, 2002

La Panadería, an artist-run center in Mexico City, was the first participant of As a Satellite. For this series the collective created not merely an exhibition space, but a versatile, multi-purpose, activity-based art center. ... Read More

Forma:Brazil, Iran do Espírito Santo and Rivane Neuenschwander

May 29, 2001

This show focused on the recent production of Iran do Espirito Santo and Rivane Neuenschwander. Both artists created spare and ephemeral works that recalled not only American minimalism, but also the innovative and experimental art of the concrete and neo-concrete movements in Brazil in the 1950s and 1960s. ... Read More

Forma:Brazil, Geraldo de Barros and Lygia Pape

March 20, 2001

This exhibition presented the work of two pioneering abstract artists from the early years of concrete and neo-concrete art, a period in the 1940s and 1950s, in which Brazilian artists developed ideas from the European avant-garde in an innovative and unique way. ... Read More

Geneviève Cadieux

December 05, 2000

Americas Society presented an exhibition of works by Geneviève Cadieux, a Canadian contemporary artist. The artist created a compelling body of photographic works whose subjects were nature, the human body, and relationships between the sexes. ... Read More

Lawren Stewart Harris: a Painter’s Progress

September 05, 2000

Lawren Stewart Harris: a Painter’s Progress constituted the first full-scale retrospective of Harris’s oeuvre anywhere since 1963. Forty-six paintings traced a career that spanned six decades and was defined by a truly modernist commitment to experimentation and the idea of art as a constant progression ... Read More

Pages

The Visual Arts program has demonstrated a strong commitment to education and public engagement in its 50 years of history. Visual Arts events are free and welcome all audiences, including families, students, teachers, and scholars. Public programs and bilingual tours stimulate an interest in learning about art of the Americas among diverse communities.

Visual Arts offers regular private group tours of the exhibitions. Tours cater to all levels of learning, including K-12 and university classes, as well as adult groups, and are available in both English and Spanish.

Americas Society has built a partnership with CUNY, Hunter College. Hunter’s Cultural Ambassador works with Visual Arts to welcome students to exhibitions and public programs, as well as special events organized for the students.

In addition to a commitment to foster education and encourage higher learning, the Visual Arts department provides internships for future arts professionals.

To schedule a tour for your class or group, please contact Carolina Scarborough at cscarborough@as-coa.org.

The Arts of the Americas Circle is a dynamic group of collectors and arts lovers, involved in historical, modern, and contemporary art and culture from the region. All funds provide crucial support for our Visual Arts exhibitions, publications, and public programs at Americas Society throughout the year. To support our Visual Arts program, the Americas Society requests Arts of the Americas Circle patrons to make an annual contribution to provide critical financial support for the organization.

As a patron of the Arts of the Americas Circle, you will be invited to join a selection committee responsible for selecting two to three exhibitions proposed by the Visual Arts Department each year. In addition, patrons will also receive invitations for special events exclusively organized for the Circle, including an intimate party held annually, visits to art fairs, galleries and artist’s studios, special book editions and conversations with artists, curators, and collectors.

Americas Society gratefully acknowledges the support from the Arts of the Americas Circle members: Estrellita Brodsky; Galeria Almeida e Dale; Kaeli Deane; Diana Fane; Isabella Hutchinson; Carolina Jannicelli; Vivian Pfeiffer and Jeanette van Campenhout, Phillips; Luis Oganes; Roberto Redondo; Erica Roberts; Sharon Schultz; Herman Sifontes; and Edward J. Sullivan.

For more information about the Arts of the Americas Circle, please contact Carolina Scarborough at cscarborough@as-coa.org.

 

 

The Visual Arts department offers a variety of beautifully illustrated catalogues that chronicle past Americas Society exhibitions.

House of Miracles: Votive Sculpture from Northeastern Brazil

Thursday, August 31, 1989

This exhibition catalogue explores the vibrant folk art tradition of carved wood and ceramic ex-votos in rural Brazil. Ex-votos are representations of miraculous cures, or the ailments that have been cured, offered in shrines and churches to give thanks for divine intervention in personal difficulties. The catalogue  includes essays by Fatima Bercht and Lelia Coelho Frota. ... Read More

Pages