Main menu

Visual Arts Catalogues

The Painted Photographs of Melvin Charney: Between Observation and Intervention

Friday, July 31, 2009

Melvin Charney has worked extensively on the frontier of art and architecture, making photographs, sculptures, installations, constructions, and gardens that take the city itself as a measure of our urban condition. A keen observer of the built world we inhabit, his work is informed by a comprehensive knowledge of architecture—its theory, history, and current practice—as well as his overall understanding of cities themselves. ... Read More

Moon Tears: Mapuche Art and Cosmology from the Domeyko Cassel Collection

Wednesday, December 31, 2008

Moon Tears: Mapuche Art and Cosmology from the Domeyko Cassel Collection examines an indigenous group barely known outside of South America. Gathering a number of important artifacts and curated Thomas Dillehay, the exhibition catalogue showcases Mapuche silverware, drums, textiles, and masks as means to explore the Mapuche social and religious worldview. ... Read More

Carlos Cruz-Diez: (In)Formed by Color

Sunday, August 31, 2008

One of the finest exponents of Latin American Kinetic and Op art, the Venezuelan artist Carlos Cruz-Diez is a legend among contemporaries such as Jesus Soto and Alejandro Otero. In 2008, the Americas Society orchestrated Cruz-Diez's first solo exhibition in the United States, for which Carlos Cruz Diez: InFormed by Color is the exhibition catalogue—the first comprehensive publication in English devoted to the artist. ... Read More

Reproducing Nations: Types and Costumes in Asia and Latin America ca. 1800-1860

Friday, March 31, 2006

This innovative exhibition explores the descriptive tradition of "costumbrismo" as it developed in South America in the first half of the nineteenth century. The catalogue focuses on the cultural responses opened up by trade and commerce in the nineteenth century, and also traces the broad circulation of costume books, prints, and watercolors within South America, Asia, and Europe. ... Read More

José Gurvich: Constructive Imagination

Friday, September 30, 2005

This is the catalogue of the first solo institutional exhibition of Uruguayan artist José Gurvich in New York. This important exhibition of paintings, drawings, and ceramics, produced between 1957 and 1973, examines Gurvich’s role in the School of the South as a student of Joaquin Torres-García and an exponent of constructivism nationally and internationally. ... Read More