This bilingual catalogue of the retrospective exhibition of the seminal Mexican painter includes essays by Elizabeth Ferrer, Olivier Debroise, and Elena Poniatowska.

This exhibition catalogue covers the work of three artists in New York, whose paintings, sculptures, and drawings engage the modernist tradition and the legacy of abstraction while addressing concerns of the human body. Anderson and Mazal hail from Mexico, while Matalon is a Cuban American. The catalogue includes texts by Joseph R. Wolin.

This bilingual catalogue provides a glimpse of the first comprehensive survey of twentieth-century Dominican art to be presented in the United States. The catalogue includes essays by Edward J. Sullivan, Jeannette Miller, Marianne de Tolentino, and Elizabeth Ferrer.

This was the first major survey exhibition since the early 1970s to examine the impact and influence of Impressionism on Canadian artists at the turn of the century. The catalogue contains essays by Carol Lowrey, Laurier Lacroix, and Robert Stacey.

This is the catalogue of the traveling exhibition of recent abstract expressionist works by one of Brazil's foremost living artists. It contains trilingual essays (English, Portuguese, Spanish) by Marcus de Lontra Costa.

This bilingual catalogue examines the exhibition of seventeen young artists from across the American hemisphere. The catalogue includes essays by Thomas McEvilley, John You, Alisa Tager, and Sandra Antelo-Suárez.

This exhibtion catalogue examines the work of the renowned Cuban surrealist form the 1930s to the 1980s and includes essays by Charles Merewether, Catherine David, and Lowery Stokes Sims.