This exhibition catalogue of colonial painting, polychrome sculpture, and decorative arts produced during the seventeenth and eighteenth centuries in the Viceroyalty of Nueva Granada contains essays by Marta Fajardo de Rueda, Alexandra Kennedy, and Santiago Sebastián.

This catalogue includes the epic-scale illustrated manuscript, Nueva crónica y buen gobierno (New Chronicle and Good Government), written by Felipe Guamán Poma de Ayala circa 1615, which presents an account of the effects of the Conquest from a voice rarely heard—that of the conquered.

This bilingual exhibition catalogue covers five contemporary Chilean artists who utilize photography as an essential component of their art. Artists include Gonzalo Díaz, Virginia Errázuriz, Gonzalo Mezzo, Alicia Villareal, and Enrique Zamudio.

This exhibition catalogue features nine artists who worked in Mexico during the 1980s: Alejandro Colungo, Julio Galán, Rocío, Maldonado, Arturo Marty, Rodolfo Morales, Dulce Mario Núñez, Georgina Quintana, Ismael Vargas, and Nahum B. Zenil. The catalogue also includes essays by Edward J. Sullivan.

This exhibition catalogue takes a look at three Latin American painters living in New York: Alicia Creus, Raquel Rabinovich, and Francisco Sutil. The catalogue includes texts by Fatima Bercht.

This catalogue by Norman Fiering and Susan L Newbury focuses on the earliest books published in the British colonies that became the United States, with a checklist of the colonial Latin American books included in the exhibition The Book in the Americas.

This exhibition catalogue explores the vibrant folk art tradition of carved wood and ceramic ex-votos in rural Brazil. Ex-votos are representations of miraculous cures, or the ailments that have been cured, offered in shrines and churches to give thanks for divine intervention in personal difficulties. The catalogue  includes essays by Fatima Bercht and Lelia Coelho Frota.