The Mexican artist explains how the American Society exhibition connects Mexico City, power, and surrealism through multimedia installations.
Erick Meyenberg's exhibition at Americas Society takes a critical stance toward normative pedagogical structures, culminating in a synesthetic experience.
Americas Society inauguró “The wheel bears no resemblance to a leg”, una reflexión sobre la manera como el Estado regula, distribuye y ejerce su poder dentro de las sociedades.
La exposición registra un proyecto de actuaciones en lugares emblemáticos de la Ciudad de México por miembros de una banda de marcha.
The exhibition chronicles a multilayered project of orchestrated performances throughout Mexico City by a local high school marching band.
On view until April 1, the photographic work of Facundo de Zuviría offers a salient reminder of Buenos Aires’ recent past.
The exhibition snaps right into a familiar framework of ordered photographic thinking that drove many artists to walk their own streets in search of the overlooked.
