26, 5-8 pm | 27, 3-8 pm

The Institute of Fine Arts
1 E 78th St, NYC
,
Americas Society
680 Park Avenue
New York
Register

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Fanny Sanín, Acrylic No. 6, 1979, 1979, Acrylic on canvas, 56 x 62 in, Collection OAS Art Museum of the Americas

Fanny Sanín, Acrylic No. 6, 1979, 1979, Acrylic on canvas, 56 x 62 in, Collection OAS Art Museum of the Americas

26, 5-8 pm | 27, 3-8 pm

The Institute of Fine Arts
1 E 78th St, NYC
,
Americas Society
680 Park Avenue
New York
Register

Share

Overview

Art at Americas Society, in collaboration with the Institute of Fine Arts at NYU, is pleased to present “Women and Abstractions in Postwar Americas,” a two-day symposium examining the contributions of women artists to postwar abstraction across the Americas. Join us in person or online for afternoon and evening sessions hosted at both Americas Society and The Institute of Fine Arts. The program will feature twelve speakers presenting a range of perspectives including a keynote presentation by Mónica Amor. All sessions will be livestreamed.

Thursday, June 26 from 5:00-8:00 pm ET
The Institute of Fine Arts (1 E 78th St) 
Friday, June 27 from 3:00-8:00 pm ET 
Americas Society (680 Park Ave) 
Register Here
This event is free and open to the public.
Registration is required for both in-person and virtual attendance.

This symposium is organized in conjunction with the exhibition Fanny Sanín: Geometric Equations curated by Edward J. Sullivan.

Sanín's sustained and powerful engagement with geometric abstraction since her move to New York from Colombia in 1971 stands as a testament to how artists like her persevered in their formal investigations, despite facing exclusion from the art world and navigating its ever-evolving trends. We hope this symposium will foster a dialogue and comparison of the practices of postwar women-identifying artists from diverse geographies and contexts, examining their contributions to various forms of abstraction.

 

Agenda

Agenda

Thursday, June 26, 5:00-8:00 pm ET  
The Institute of Fine Arts

5:00-5:30 pm: Welcome Remarks and Curatorial Presentation by Edward J. Sullivan, Helen Gould Shepard Professor of Art History at New York University 

5:30-7:00 pm: Panel 1: Abstractions throughout the Americas 

  • Ana M. Franco: "Abstraction, Decoration, and Domestic Life: The Radical Practice of Colombian Artist Edelmira Boller"
  • Delia Solomons: "Marisol's Antics with Abstraction"
  • Francesca Ferrari: "Out of Chance and Curiosity: The Transfer Drawings of Mira Schendel and Paul Klee” 
  • Vivian Li: "Reaffirming Space: Lydia Okumura" 

7:00-8:00 pm: Keynote by Mónica Amor: "Residual Abstractions" 

Friday, June 27, 3:00-8:00 pm ET  
Art at Americas Society 

3:00-3:30 pm: Welcome Remarks by Aimé Iglesias Lukin, Director and Chief Curator of Art at Americas Society 

3:30-4:30 pm: Panel 2: Abstraction and Textiles 

  • Laura Anderson Barbata: "The Mother's Line: Intergenerational Transmission in Organic Abstraction" 
  • Susan L. Aberth: "Imagining the New Age: Women and Abstraction in the Americas" 
  • Manuela Well-Off-Man: "Redefining Abstraction: Native American Women Artists (1945–1970)" 

5:00-6:30 pm: Panel 3: Representation in Histories of Abstraction 

  • Elizabeth Ferrer: "On Visibility and Invisibility: Learning from Raquel Rabinovich" 
  • Rachel Vorsanger: "Abstracting Soft Power: Betty Parsons and the United States Information Agency"
  • Zuna Maza: "The Painting Holds it all Together: Abstraction According to Candida Alvarez"
  • Mary Kate O’Hare: "Charmion von Wiegand: Bridging the Infinite" 

6:30-7:00 pm: Closing Remarks

7:00-8:00 pm: Reception at Americas Society

Speakers

Mónica Amor
Keynote Speaker | Professor, Maryland Institute College of Art

Mónica Amor teaches modern and contemporary art with a focus on intermedial practices and transnational dialogues. Her approach is global and highlights the role of institutions and exhibitions in the production of cultural representation.

She holds a Ph.D. from the Graduate...

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Susan Aberth
Edith C. Blum Professor of Art History and Visual Culture, Bard College

Susan L. Aberth is the Edith C. Blum professor of the Art History and Visual Culture Program at Bard College. Her 2004 book Leonora Carrington: Surrealism, Alchemy and Art (Lund Humphries) is in its 10th edition. Other publications include Leonora Carrington: The Tarot (2020 &...

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Laura Anderson Barbata
Transdisciplinary Artist

Laura Anderson Barbata, born in Mexico City, is a Mexican transdisciplinary artist currently based between New York and Mexico City. Since 1992, she has initiated long-term projects and collaborations in diverse communities, including the Venezuelan Amazon, Trinidad and Tobago...

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Francesca Ferrari
Postdoctoral Fellow, Leonard A. Lauder Research Center for Modern Art, Metropolitan Museum of Art

Francesca Ferrari is an art historian specializing in early twentieth-century European and Latin American art. She is currently a postdoctoral fellow at the Leonard A. Lauder Research Center for Modern Art at the Metropolitan Museum of Art, having obtained her PhD from the...

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Elizabeth Ferrer
Independent Curator

Elizabeth Ferrer is a New York based independent curator and writer focusing on Latinx art and photography. She previously directed the curatorial programs at BRIC, Brooklyn, NY; the Americas Society; and the Wallach Art Gallery, Columbia University. Working in a freelance...

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Ana M. Franco
Associate Professor, Department of Art History, Universidad de los Andes

Ana M. Franco is an associate professor in the Department of Art History at the Universidad de los Andes in Bogotá, Colombia and will be moving to Rice University in the Summer of 2025, where she will take a position as Associate Professor in Art History. She is currently...

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Vivian Li
The Lupe Murchison Curator of Contemporary Art

Dr. Vivian Li is The Lupe Murchison curator of Contemporary Art. Since she began at the Dallas Museum of Art (DMA) in 2019, Li has realized ambitious collaborations with artists such as Tiffany Chung, Mel Chin, and Guadalupe Rosales, and organized Slip Zone: A New Look at Postwar...

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Mary-Kate O'Hare
Executive Director and CEO, Bruce Museum

Mary-Kate O'Hare is the Susan E. Lynch executive director and CEO of the Bruce Museum in Greenwich, Connecticut. She brings over 25 years of experience in art leadership, previously as Head of Art Advisory and Director at Citi Private Bank, where she led global specialists that...

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Delia Solomons
Associate Professor of Modern and Contemporary Art, Drexel University

Delia Solomons is an associate professor of Modern and Contemporary Art at Drexel University. Her book Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–1968 (Penn State University Press, 2023) chronicled a boom of U.S. exhibitions that sought to codify...

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Rachel Vorsanger
PhD Candidate, Temple University

Rachel Vorsanger is pursuing her PhD in Art History at the Tyler School of Art and Architecture at Temple University. Her research examines the role of gender and displacement in modern art from the United States and Europe from the late nineteenth to the mid-twentieth centuries...

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Manuela Well-Off-Man
Art Historian and Chief Curator, IAIA Museum of Contemporary Native Arts

Dr. Manuela Well-Off-Man is an art historian and chief curator at the IAIA Museum of Contemporary Native Arts. She previously served as curator at Crystal Bridges Museum of American Art, Bentonville, Ark. She has more than 20 years of curatorial experience in museums. She has...

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Zuna Maza
Assistant Curator, El Museo del Barrio

Zuna Maza is a curator from San Juan, Puerto Rico, right now based in Brooklyn, New York. Her curatorial focus is largely devoted to contemporary practices with a particular interest in installation, multimedia, and material-focused practices. Currently, Maza is assistant curator...

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Aimé Iglesias Lukin
Director and Chief Curator, Art at Americas Society

Aimé Iglesias Lukin is the director and chief curator of Art at Americas Society in New York. Born and raised in Buenos Aires, she has lived in New York since 2011. Since joining the organization in 2019, she has led a program of exhibitions, publications, and programs aiming to...

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Edward J. Sullivan
Professor and Curator of Fanny Sanín: Geometric Equations

Edward J. Sullivan is the Helen Gould Shepard professor in the history of art at the Institute of Fine Arts and College of Arts and Sciences, New York University. A prominent scholar and curator in the field of modern and contemporary Latin American and Caribbean art, Sullivan is...

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Organized by
Funders

"Women and Abstraction in Postwar Americas symposium" is made possible through support from the Terra Foundation for American Art and presented in partnership with the Institute of Fine Arts.

The presentation of Fanny Sanín: Geometric Equations and related programming is made possible by generous support from the Diane and Bruce Halle Foundation, Terra Foundation for American Art, Wyeth Foundation for American Art, Jacques and Natasha Gelman Foundation, New York City Department of Cultural Affairs, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Erica Roberts, Karla Harwich, Lilly Scarpetta, and Ana Sokoloff. In-kind support is provided by Sicardi | Ayers | Bacino.

Americas Society acknowledges the generous support from the Arts of the Americas Circle members: Amalia Amoedo, Estrellita B. Brodsky, Virginia Cowles Schroth, Emily Engel, Isabella Hutchinson, Carolina Jannicelli, Diana López and Herman Sifontes, Elena Matsuura, Maggie Miqueo, Antonio Murzi, Gabriela Pérez Rocchietti, Marco Pappalardo and Cintya Poletti Pappalardo, Carolina Pinciroli, Erica Roberts, Sharon Schultz, and Edward J. Sullivan.