Photo by Arturo Sánchez

Photo by Arturo Sánchez

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Lilia Carrillo: Todo es sugerente Monograph

Published alongside the Museo del Palacio de Bellas Artes in Mexico City, this is the first monograph dedicated to the late painter in three decades.

Part of the Generación de la Ruptura (Rupture Generation) which departed from Mexican muralism, painter Lilia Carrillo (1930–74) became one of the leading female figures of abstraction in midcentury Mexico after studying avant-garde movements in Paris during the 1950s. Her career was cut short, however, after a spinal aneurysm that left her partially paralyzed and brought about her untimely death at the age of 43. This bilingual (English/Spanish) monograph is the first dedicated to Carrillo in more than three decades. By approaching 1960s and ’70s nonfigurative art in Mexico through the scope of her paintings, contributors both reconfigure the history of the period and do justice to the legacy of an undersung artist.

Lilia Carrillo: Todo es sugerente was published in conjunction with the exhibitions Lilia Carrillo. Todo es sugerente at Museo del Palacio de Bellas Artes, Mexico City and Lilia Carrillo: Ruptures and Premonitions at Americas Society, New York.

Price: $50. Purchase Lilia Carrillo: Todo es sugerente.

Table of contents:

  • Forewords
  • Lilia Carrillo: Everything is suggestive by Daniel Garza Usabiaga
  • Materializing non-conformity by Tobias Ostrander
  • Between abstraction and presence by Rita Eder
  • The lyrical art of Lilia Carrillo by Esteban García Brosseau
  • Painter of the inner self by Jaime Moreno Villarreal
  • Contemplating Carrillo by Leah Dickerman
  • List of works: Lilia Carrillo. Todo es sugerente, Museo del Palacio de Bellas Artes, Mexico City
  • List of works: Ruptures and Premonitions, Americas Society, New York
  • Credits and Acknowledgments
Funders

The presentation of Lilia Carrillo: Ruptures and Premonitions has been made possible by generous support from the New York City Department of Cultural Affairs, Fundación Coppel, Isabel and Agustín Coppel Collection (CIAC), New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, kurimanzutto, Mexico City / New York, and Marjorie and Michael Levine.

Americas Society acknowledges the generous support from the Arts of the Americas Circle members: Amalia Amoedo, Ileana Anselin, Estrellita B. Brodsky, Virginia Cowles Schroth, Emily Engel, Isabella Hutchinson, Carolina Jannicelli, Diana López and Herman Sifontes, Elena Matsuura, Maggie Miqueo, Maria Mostajo, Antonio Murzi, Gabriela Pérez Rocchietti, Marco Pappalardo and Cintya Poletti Pappalardo, Carolina Pinciroli, Erica Roberts, Sharon Schultz, and Edward J. Sullivan.

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