The exhibition, Lydia Cabrera and Édouard Glissant: Trembling Thinking at the Americas Society, curated by Hans Ulrich Obrist, Gabriela Rangel, and Asad Raza, has stayed with me. Cabrera and Glissant were important, influential thinkers and writers who are central figures in the postcolonial history of the Caribbean. The exhibition contained early editions of books by Cabrera and Glissant, magazines with their articles, drawings by Cabrera, and a wonderful film interview with Glissant. Many of the other works — but not all — directly address or deal with Glissant and Cabrera and their considerations of identity. The list of artists included Etel Adnan, Kader Attia, Tania Bruguera, Manthia Diawara, Mestre Didi, Melvin Edwards, Simone Fattal, Sylvie Glissant, Koo Jeong A, Wifredo Lam, Marc Latamie, Roberto Matta, Julie Mehretu, Philippe Parreno, Amelia Peláez, Asad Raza, Anri Sala, Antonio Seguí, Diamond Stingily, Elena Tejada-Herrera, Jack Whitten, and Pedro Zylbersztajn. While the show was modestly sized, it opened or pointed to many doors that I have begun to research further.
December 30, 2018