Exhibitions

Alice Miceli: Projeto Chernobyl
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Curated by Gabriela Rangel and Diana Flatto

On view October 9, 2019 through January 25, 2020, the exhibition presents a series of 30 radiographs produced in 2006–2010 by the Brazilian artist.

Victoria Cabezas and Priscilla Monge: Give Me What You Ask For
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Curated by Miguel A. López, codirector and curator of TEOR/éTica (San José, Costa Rica)

On view February 13–May 4, 2019, this exhibition brings together for the first time the distinct, yet intertwined bodies of work created by two Costa Rican artists from different generations, questioning normative ideas of masculinity and femininity in Latin American cultures.

Lydia Cabrera and Édouard Glissant: Trembling Thinking
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Curated by Hans Ulrich Obrist, Gabriela Rangel, and Asad Raza, with the assistance of Diana Flatto.

On view October 9, 2018–January 12, 2019, the exhibition explores the intellectual impact of two prominent Caribbean thinkers in modern and contemporary art. 

The Metropolis in Latin America, 1830–1930
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Curated by Idurre Alonso and Maristella Casciato and organized by the Getty Research Institute in Los Angeles.

On view March 22–June 30, 2018, the exhibition focuses on six capitals in the region: Buenos Aires, Havana, Lima, Mexico City, Rio de Janeiro, and Santiago de Chile.

José Leonilson: Empty Man
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Curated by Cecilia Brunson, Gabriela Rangel, and Susanna V. Temkin

In Fall 2017, Americas Society presents the first U.S. solo exhibition of the key Brazilian artist, José Leonilson.

Erick Meyenberg: The wheel bears no resemblance to a leg
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Curated by Gabriela Rangel and Lucía Sanromán

Open May 4 through June 22, the exhibition showcases the multilayered project by Mexican artist Erick Meyenberg with a local high school marching band in Mexico City.

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