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João Camarero: Vento Brando

Americas Society

February 21, 2020
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(Image: Anna Lara)

A co-presentation with:

Admission:  Due to the overwhelming response to this event, we have reached maximum capacity and can no longer take registration requests online or on the phone. In case there are cancellations, feel free to show up early and sign up on the wait list. 

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João Camarero makes his Music of the Americas debut showcasing his musicality and beautiful sound on the concert guitar, featuring fellow guitarist João Luiz. During this program, Camarero demonstrates his immense personality within his interpretations of the guitar repertoire.

 

Radamés Gnattali: Choro (from Brasiliana No.13)

 

Program:

Radamés Gnattali: Tocata em Ritmo de Samba
  Choro (from Brasiliana No.13)
Augustín Barrios: Valsa No.3
Ariel Ramirez: Balada para Martín Fierrro
Manuel M. Ponce: Scherzino Mexicano
Anibal A.S. Garoto: Enigma
R. Mallmith/J. Camarero: Paulistano
J.Camarero/C. Batos: Vento Brando
João Camarero: O Maestro na farra
  Pequenas Valsas Sentimentais No.3-Anna
João Pernambuco: Graúna
  Caminho do Sertão
R. Rabello/ P.C. Pinheiro: Camará

 

With special guest João Luiz:

Alfredo R. Vianna Filho: Pixinquinha
  Naquele tempo
Anibal A.S. Garoto: Jorge do Fusa
J.P. Bitencourt "Jacob do Bandolim": Doce de côco
  Noites cariocas

 

 

 

 

About the artists

João Camarero

Born in 1990 in Ribeirão Preto, João Camarero was raised in the city of Avaré, Brazil, where he began his studies in music at the age of eight and on the guitar at fifteen. He studied at the Conservatory of Tatuí and at the Escola Portátil de Música of Rio de Janeiro, where he currently teaches.

Winner of several prizes, such as the 2015 MIMO Instrumental 2015 Award and the Concurso Novas, Camarero has also been nominated as one of Brazil's best musicians of 2016. He has performed throughout the world including countries such as Japan, France, Germany, Italy, Holland, Belgium and the US.

Camarero is one of the most sought-after guitar players for his versatility and ease of transitioning from a soloist on the concert guitar to an accompanist, playing alongside many of the veteran musicians he admires.