7 pm ET

Americas Society
680 Park Avenue
New York

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Momenta Quartet

Momenta Quartet. (Image: Roey Yohai Studios)

7 pm ET

Americas Society
680 Park Avenue
New York

Share

Overview

Registration will open to the public one month before the event. Tickets are free. Email music@as-coa.org with any questions.

Americas Society members can register at any time and enjoy early and reserved seating at the event. Not a member? Join today! Contact membership@as-coa.org for more info.

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For several years, Music of the Americas has collaborated with the adventurous Momenta Quartet in their annual festival, during which each member of the ensemble curates one program. The program for this concert was selected by violinist Alex Shiozaki, and invites pianist Nana Shi to join Momenta in music celebrating the sesquicentennials of Julián Carrillo and Maurice Ravel.  

Program 

  • Julián Carrillo: String Quartet #4 
    1. Muy agitado 
    2. Lejanías ahualulquenses. "A mi Ahualulco del Sonido 13"
    3. Casi scherzo
    4. Allegro
  • Hiroya Miura: Vermillion Study, for shamisen solo 
  • Maurice Ravel: Piano Trio 
    1. Modéré
    2. Pantoum (Assez vif)
    3. Passacaille (Très large)
    4. Final (Animé)

Momenta Quartet:

  • Emilie-Anne Gendron, violin 
  • Alex Shiozaki, violin and shamisen 
  • Stephanie Griffin, viola 
  • Michael Haas, cello
    with Nana Shi, piano 

About the Artists

Momenta Quartet 

Momenta: the plural of momentum—four individuals in motion towards a common goal. This is the idea behind the Momenta Quartet (Emilie-Anne Gendron, Alex Shiozaki, Stephanie Griffin, and Michael Haas), whose eclectic vision encompasses contemporary music of all aesthetic backgrounds alongside great music from the recent and distant past. The New York City-based quartet has premiered over 200 works, collaborated with over 250 living composers and was praised by The New York Times for its “diligence, curiosity and excellence.” In the words of The New Yorker’s Alex Ross, “few American players assume Haydn’s idiom with such ease.” 

The quartet came into being in November 2004, when composer Matthew Greenbaum invited violist Stephanie Griffin to perform Mario Davidovsky’s String Trio for events celebrating Judaism and culture at New York’s Symphony Space and Temple University in Philadelphia. A residency through the composition department at Temple University ensued, and the rehearsals and performances were so satisfying that the players decided to form a quartet. Through this residency, Momenta gave two annual concerts highlighting the talents of Temple University student composers alongside 20th-century masterworks and works from the classical canon, repeating the programs at the Brooklyn Society for Ethical Culture. From the outset, Momenta treated all music equally, devoting as much time, care, and commitment to student works as to imposing musical monuments. 

Word of Momenta’s passionate advocacy for emerging composers spread quickly. Composers started inviting Momenta for similar concerts and residencies at other academic institutions. Today, Momenta’s educational-performing circuit includes Binghamton, Brown, Columbia, Cornell, Harvard, Hawaii Pacific, Michigan State, New York, Temple, Tufts, Washington, and Yeshiva Universities; Bard, Barnard, Bates, Haverford, Hunter, Ithaca, Lehman, and Williams Colleges; and Boston, Cincinnati, Eastman, and Mannes conservatories. Momenta has received commission grants from the Koussevitzky, Barlow, and Jerome Foundations, and a Chamber Music America commission for Alvin Singleton, whose resulting work, “Hallelujah Anyhow” (2019), is featured on their 2022 album of his complete string quartets. Deeply committed to the musical avant-garde of the developing world, Momenta has premiered and championed the works of Tony Prabowo (Indonesia), Cergio Prudencio (Bolivia), and Hana Ajiashvili (Georgia); has collaborated with numerous gamelan ensembles; and in 2018, was brought by the U.S. Department of State and U.S. Embassy La Paz to Cochabamba, Bolivia for new music concerts and a teaching-performing residency at the Instituto Laredo. 

Momenta has appeared at such prestigious venues as the Library of Congress, National Gallery of Art, the Smithsonian’s Freer Gallery, Rubin Museum, Miller Theatre at Columbia University, the Princeton Institute for Advanced Study, Chamber Music Cincinnati, and the Louisville and Philadelphia Chamber Music Societies. Festival credits include the renowned Cervantino Festival in Mexico; MATA; Music from Japan; Ostrava Days in the Czech Republic; Red Note New Music; the Smithsonian’s “Performing Indonesia”; the Yellow Barn Artist Residency; and since 2015, the quartet’s own annual member-curated Momenta Festival in New York City, featuring world premieres, guest artists, and samplings from Momenta's unique personal repertoire. 

Momenta has recorded for the Albany, Bridge, Centaur, Furious Artisans, Innova, Navona, New Focus, New World, and PARMA labels; and has been broadcast on WQXR, Q2 Music, Austria’s Oe1 and Vermont Public Radio. The quartet’s latest album “Alvin Singleton: Four String Quartets” was released to critical acclaim in 2022 by New World Records. Their debut album, “Similar Motion,” featuring visionary works by Debussy, Philip Glass, and Arthur Kampela, is available on Albany Records. Upcoming recording adventures include a project to record all thirteen string quartets by Mexican microtonal maverick Julián Carrillo (1875-1965) for Naxos, the complete string quartets of Roberto Sierra, and an American album featuring diverse works by Elizabeth Brown, Jason Hwang, Shawn Jaeger, Yusef Lateef, and Matthew Greenbaum.

Nana Shi

​Pianist Nana Shi is a sought-after performer, collaborator, and music educator. Born in China, she now lives in the Greater New York Area and frequently performs as a soloist and collaborative pianist. Her recent appearances include performances at Brooklyn Art Song Society, Americas Society, The Juilliard School, and SUNY New Paltz, among others. Her solo recital for piano and electronics at SUNY New Paltz has been praised for having “both a sense of serene beauty and striking intensity” by New Paltz Oracle. OperaWire called Shi's rendition of Alban Berg's songs with soprano Jennifer Zetlan "intuitive", "breathtaking", and with "exquisite attention to detail". 

An avid chamber musician, she has spent many summers at music festivals such as Kneisel Hall Chamber Music Festival, Tanglewood Music Center, The Banff Centre, Interlochen Arts Camp, and Chelsea Music Festival in NYC. Equally at home with vocal and contemporary music, she has worked with extraordinary singers such as Lucy Shelton, Dawn Upshaw, and Jennifer Zetlan, among others. She often advocates contemporary works by living composers and female composers, and has recently performed music by Errollyn Wallen, Phyllis Chen, Missy Mazzoli, Florence Price, Margaret Bond, and Fanny Mendelssohn to name a few. She often plays with New York-based ensembles such as the Momenta Quartet, and she is the pianist of Shiozaki Duo alongside her husband, violinist Alex Shiozaki. ​

Shi holds a Doctor of Musical Arts degree in Piano Performance from SUNY Stony Brook under the tutelage of Gil Kalish, and Bachelor and Master of Music degrees from University of Cincinnati College-Conservatory of Music. Other mentors include William Black, Eugene and Elisabeth Pridonoff, Robert Koenig, and many more. She currently teaches piano as a lecturer at SUNY New Paltz during the academic year and Interlochen Arts Camp in the summer. She also serves as a staff pianist for the Juilliard School's Preparatory Division and the music director of Union Church of Bay Ridge in Brooklyn.

Funders

The MetLife Foundation Music of the Americas concert series is made possible by the generous support of Presenting Sponsor MetLife Foundation.

The 2025-2026 series is also supported, in part, by the Howard Gilman Foundation, Ernst von Siemens Music Foundation, New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and Alice M. Ditson Fund of Columbia University.