Main menu

Eybler Quartet: Time Uncharted

Americas Society

December 12, 2019


Eybler Quartet (Image: Brainfarm)

In collaboration with:
Registration for this event is now closed, but tickets may still be available at the door. 
                            (reservations cannot be taken by phone or email at this time)




Admission: Free for AS and YPA Members; $20 for nonmembers.  Please register.

Not yet a member? Learn how to become an Americas Society member to access this event.

In their New York debut, Eybler Quartet gives the U.S. premieres of Pedro Ximénez de Abrill Tirado’s Quartet, Op.55, written in the 1820s in Arequipa, whose slow movement is based on an traditional Andean yaravi. This mostly unknown composer was active in particularly tumultuous times during his country's history, and played a formative role in the development of local music.

Except for the works of Joseph de Bologne, string quartets written in the Western hemisphere in the late 1700s and early 1800s are scarcely known, even in the region. Recent archival research in Bolivia, and Venezuela has revealed a corpus of works rich in unique technical devices, instrumental virtuosity, and local inspiration. 

The program also includes Beethoven’s Quartet Op.18 No.5. 

This concert is part of GEMAS, a project of Americas Society and Gotham Early Music Scene, devoted to early music of the Americas.


15 Meditaciones para el quinario: día 4               Pedro Ximénez de Abrill Tirado

String Quartet No.5 in A major, Op.18                Ludwig van Beethoven


Cuarteto Concertante in E-flat major, Op.55        Pedro Ximénez de Abrill Tirado     


Joseph Haydn: String Quartet Op.33 No.1 in B minor (Hob. III: 37), IV


About the Artists

The Eybler Quartet came together in late 2004 to explore the works of the first century and a half of the string quartet, with a healthy attention to lesser known composers such as their namesake, Joseph Leopold Edler von Eybler. The group brings a unique combination of talents and skills: razor-sharp ensemble skills, technical prowess, expertise in period instrument performance and an unquenchable passion for the repertoire. The ensemble’s live performances based in Toronto, have consistently garnered praise as “glowing and committed”, “spirited” and “lively and energizing”. Their recording of Joseph Haydn’s String Quartets, Op.33 for the Analekta label was called “simply a treasure” by Early Music America. The online review added “the tempos are beautifully chosen, the ensemble perfect, and the intonation absolutely pure. This is music-making that reflects the deeply human and attractive qualities found in Haydn the composer—good humor, wit, and invention.” Their recording with clarinetist Jane Booth won praise from Gramophone for being “totally engaging performances that breathe life into Backofen’s music”. Their most recent release, Beethoven Quartets, Opus 18 nos.1-3 garnered this praise from Gramophone: “…the revelations flood in: the swiftness with which the Eyblers take the great Adagio of Op.18 No.1 allows violinist Aisslinn Nosky’s almost vibrato-free period-instrument tone to sound breathtakingly fragile.” Violinist Julia Wedman and violist Patrick G. Jordan are members of Tafelmusik Baroque Orchestra. Violinist Aisslinn Nosky is concertmaster of the Handel and Haydn Society and Principal Guest Conductor of the Niagara Symphony Orchestra. Julia and Aisslinn are also members of I FURIOSI Baroque Ensemble. Cellist Margaret Gay is in demand as both a modern and period instrument player. This past summer, the group was again on the faculty at the Banff Centre as part of the EQ: Evolution of the String Quartet program.