Conceived as a monographic show, this exhibition focused on the process of collaboration that Brazilian artist Paula Trope has undertaken with children and adolescents for more than a decade.
Beginning with a Bang! proposes a movement between two artistic scenarios and is organized into two distinct sections. The first, a selection of action-based projects by artists working in Buenos Aires; the second, a documentary section exploring the rich historical foundations that link these projects to the 1960s and 1970s.
This exposition aims to illuminate the collection of Maya textile selections as unique and inimitable “pieces of art” that are distinguished by the aesthetic quality of their composition, authenticity, and structural perfection, reaching beyond their utilitarian function and the rich symbolic content each incorporates.
This innovative exhibition explores the descriptive tradition of "costumbrismo" as it developed in South America in the first half of the nineteenth century. The catalogue focuses on the cultural responses opened up by trade and commerce in the nineteenth century, and also traces the broad circulation of costume books, prints, and watercolors within South America, Asia, and Europe.
A Principality of Its Own: 40 Years of Visual Arts at the Americas Society offers collection of critical essays examines distinctive moments of the Americas Society's visual art program and its impact on the formation of a Latin American market in the United States.
This is the catalogue of the first solo institutional exhibition of Uruguayan artist José Gurvich in New York. This important exhibition of paintings, drawings, and ceramics, produced between 1957 and 1973, examines Gurvich’s role in the School of the South as a student of Joaquin Torres-García and an exponent of constructivism nationally and internationally.
These works were drawn from the contemporary art section in Banco Mercantil's extensive art collection in Caracas. The work of Venezuelan artists in this exhibit highlight dialogues with the past and present, reflecting a break from kinetic art and the idea of modernity as a concept in crisis.
