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Visual Arts at Americas Society

Arts and Culture

Americas Society Gallery does not accept unsolicited submissions and materials. Our staff is not authorized to receive or review artist or exhibition proposals.

The Visual Arts program boasts the longest-standing private space in the U.S. dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada; it has achieved a unique and renowned leadership position in the field, producing both historical and contemporary exhibitions. The Visual Arts program presents three exhibitions annually, each accompanied by a series of public and educational programs featuring outstanding artists, curators, critics and scholars. The Visual Arts program produces exhibition catalogues as well as scholarly publications, including the seminal work, A Principality of Its Own: 40 Years of Visual Arts at the Americas Society.

 

The Society’s Visual Arts department, dedicated to fostering a better understanding of art in the American regions beyond U.S. borders from the pre-Columbian era to the present day, produces gallery exhibitions, illustrated catalogs, and a variety of public programs. The quality of our exhibitions attests to the diversity and heritage of the Americas, and upholds the mandate of the Americas Society to foster a better understanding of the art made in these regions from the pre-Columbian era to the present day.

The visual arts program boasts the longest-standing private space in the United States dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada. Americas Society is recognized for its catalyzing role in establishing Latin American art markets in the United States and helping to expand the notion of modernity in the western hemisphere. The success of the department is rooted in its role as not merely a consecratory venue, but also as a platform for new artistic visions and achievements from throughout the Americas.

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Upcoming Exhibition

The Metropolis in Latin America, 1830-1930

March 22 to June 30, 2018

Over the course of a century of rapid urban growth, sociopolitical upheavals, and cultural transitions reshaped the architectural landscapes of major cities in Latin America. Focusing on six capitals—Buenos Aires, Havana, Lima, Mexico City, Rio de Janeiro, and Santiago de Chile—The Metropolis in Latin America, 1830–1930, presents the colonial city as a terrain shaped by Iberian urban regulations, and the republican city as an arena of negotiation of previously imposed and newly imported models, which were later challenged by waves of indigenous revivals. Photographs, prints, plans, and maps depict the urban impact of key societal and economic transformations, including the emergence of a bourgeois elite, and extensive infrastructure projects, rapid industrialization, and commercialization.

This exhibition was co-curated by Idurre Alonso and Maristella Casciato and organized by the Getty Research Institute in Los Angeles.

Learn more about the exhibition.

The Visual Arts program boasts the longest-standing private space in the U.S. dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada; it has achieved a unique and renowned leadership position in the field, producing both historical and contemporary exhibitions. The Visual Arts program present three exhibitions annually, each accompanied by a series of public and educational programs featuring outstanding artists, curators, critics and scholars.

Explore our past exhibitions below, and view a timeline of Visual Arts exhibitions dating back to 1967.

Past Exhibitions

Forma:Brazil, Iran do Espírito Santo and Rivane Neuenschwander

May 29, 2001

This show focused on the recent production of Iran do Espirito Santo and Rivane Neuenschwander. Both artists created spare and ephemeral works that recalled not only American minimalism, but also the innovative and experimental art of the concrete and neo-concrete movements in Brazil in the 1950s and 1960s. ... Read More

Forma:Brazil, Geraldo de Barros and Lygia Pape

March 20, 2001

This exhibition presented the work of two pioneering abstract artists from the early years of concrete and neo-concrete art, a period in the 1940s and 1950s, in which Brazilian artists developed ideas from the European avant-garde in an innovative and unique way. ... Read More

Geneviève Cadieux

December 05, 2000

Americas Society presented an exhibition of works by Geneviève Cadieux, a Canadian contemporary artist. The artist created a compelling body of photographic works whose subjects were nature, the human body, and relationships between the sexes. ... Read More

Lawren Stewart Harris: a Painter’s Progress

September 05, 2000

Lawren Stewart Harris: a Painter’s Progress constituted the first full-scale retrospective of Harris’s oeuvre anywhere since 1963. Forty-six paintings traced a career that spanned six decades and was defined by a truly modernist commitment to experimentation and the idea of art as a constant progression ... Read More

Clara Gutsche: The Convent Series

June 07, 1999

Curated by France Gascon, Clara Gutsche: The Convent Series comprised of sixty-five photographs in both color and black-and-white of Gutsche’s recent work. The show was a photographic study of the monastic life of cloistered nuns in Quebec. ... Read More

Gerardo Suter: Labyrinth of Memory

February 10, 1999

Gerardo Suter, one of Latin America's most important contemporary photographers was the subject of this mid-career survey of a dozen years of his work, which ranged from early photographs of enigmatic landscapes and ruins, to larger prints of more dramatic tableaux featuring nude figures with masks and other props, to recent monumental installations that combined photography with video and performance elements. ... Read More

El Alma del Pueblo: Spanish Folk Art and its Transformation in the Americas

September 18, 1998

This major exhibition vividly documented the deep and long-lasting influence that Spanish folk art exerted on the popular aesthetic of the Americas, displaying ceremonial objects, masks, and elements of private devotion like family altars and votive paintings, decorative folk art objects of diverse media, and numerous domestic objects. ... Read More

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Special editions of books covering visual arts of the western Hemisphere and published by the Americas Society.

The Visual Arts department offers a variety of beautifully illustrated catalogues that chronicle past Americas Society exhibitions.

House of Miracles: Votive Sculpture from Northeastern Brazil

Thursday, August 31, 1989

This exhibition catalogue explores the vibrant folk art tradition of carved wood and ceramic ex-votos in rural Brazil. Ex-votos are representations of miraculous cures, or the ailments that have been cured, offered in shrines and churches to give thanks for divine intervention in personal difficulties. The catalogue  includes essays by Fatima Bercht and Lelia Coelho Frota. ... Read More

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