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Visual Arts at Americas Society

Arts and Culture

Americas Society Gallery does not accept unsolicited submissions and materials. Our staff is not authorized to receive or review artist or exhibition proposals.

The Visual Arts program boasts the longest-standing private space in the U.S. dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada; it has achieved a unique and renowned leadership position in the field, producing both historical and contemporary exhibitions. The Visual Arts program presents three exhibitions annually, each accompanied by a series of public and educational programs featuring outstanding artists, curators, critics and scholars. The Visual Arts program produces exhibition catalogues as well as scholarly publications, including the seminal work, A Principality of Its Own: 40 Years of Visual Arts at the Americas Society.

 

The Society’s Visual Arts department, dedicated to fostering a better understanding of art in the American regions beyond U.S. borders from the pre-Columbian era to the present day, produces gallery exhibitions, illustrated catalogs, and a variety of public programs. The quality of our exhibitions attests to the diversity and heritage of the Americas, and upholds the mandate of the Americas Society to foster a better understanding of the art made in these regions from the pre-Columbian era to the present day.

The visual arts program boasts the longest-standing private space in the United States dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada. Americas Society is recognized for its catalyzing role in establishing Latin American art markets in the United States and helping to expand the notion of modernity in the western hemisphere. The success of the department is rooted in its role as not merely a consecratory venue, but also as a platform for new artistic visions and achievements from throughout the Americas.

UPCOMING EVENTS PAST EVENTS   

Exhibition Opening and Panel Discussion of Erick Meyenberg: The wheel bears no resemblance to a leg

Wednesday, May 3, 2017 - 7:00pm | New York

Admission is open to the public and free of charge. Prior registration is required.

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Conversations in Colombia: Hans Ulrich Obrist Interviews Miguel Ángel Rojas and María Fernanda Cardoso

Friday, May 5, 2017 - 7:00pm | New York

On May 5, Obrist presents a project he began in 2010 that turned into a comprehensive mapping of that country’s artistic landscape. ... Read More

City Circuits: Francisco Goldman in Conversation with Mónica de la Torre

Tuesday, May 16, 2017 - 7:00pm | New York

On May 16, novelist Francisco Goldman discusses The Interior Circuit: A Mexico City Chronicle, his personal memoir on two crucial years in both his own life and that of his adopted city. ... Read More

Guided Tour of Erick Meyenberg: The wheel bears no resemblance to a leg

Tuesday, June 13, 2017 - 7:00pm | New York

Admission: Free for Americas Society Members; $10 for non-members.

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Upcoming Exhibition

Erick Meyenberg: The wheel bears no resemblance to a leg

May 4 to July 22, 2017
General Opening May 3

Borrowing its enigmatic title from the words of Guillaume Apollinaire, The wheel bears no resemblance to a leg chronicles the making of a multilayered project by Mexican artist Erick Meyenberg (b. 1980, Mexico City). Working for two years with a local high school marching band in Mexico City, Meyenberg orchestrated a complex performance which took place throughout the capital and provokes a reflection on the pedagogical machinery of discipline, education, gender, and the state.

Erick Meyenberg works at the intersection of drawing, collage, video, data analysis, and sound. La rueda no se parece a una pierna (The wheel bears no resemblance to a leg, 2016) is the end result of a long collaboration with members of the high school marching band Banda de Guerra Lobos at the Colegio Hispanoamericano in Mexico City. Meyenberg and the teenagers—together with curators, guest musicians, composers, choreographers, costume designers, and a video production team—cocreated the choreography and concomitant performances that took the band through some of Mexico City’s most emblematic and politically marked sites: the Plaza de Tlatelolco, where in 1968 striking university students clashed with the state; the Monument to the Revolution, commemorating the Mexican Revolution of 1910; and the shopping mall Centro Comercial Forum Buenavista, symbolizing Mexico’s embeddedness in transnational post-industrial capitalism.

Learn more about the exhibition.

The Visual Arts program boasts the longest-standing private space in the U.S. dedicated to exhibiting and promoting art from Latin America, the Caribbean, and Canada; it has achieved a unique and renowned leadership position in the field, producing both historical and contemporary exhibitions. The Visual Arts program present three exhibitions annually, each accompanied by a series of public and educational programs featuring outstanding artists, curators, critics and scholars.

Explore our past exhibitions below, and view a timeline of Visual Arts exhibitions dating back to 1967.

Upcoming Exhibitions

Past Exhibitions

Cristóbal Lehyt: Iris Sheets

September 10, 2013

The Fall 2013 exhibition offers site-specific installations by the Chilean artist that call into question perceptions of sight and space. ... Read More

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Special editions of books covering visual arts of the western Hemisphere and published by the Americas Society.

The Visual Arts department offers a variety of beautifully illustrated catalogues that chronicle past Americas Society exhibitions.

Antonio Manuel: I Want to Act, Not Represent!

Friday, September 30, 2011

The publication Antonio Manuel: I Want to Act, Not Represent! is produced in conjunction with the eponymous exhibition held at Americas Society’s Art Gallery. This catalogue features reproductions of Antonio Manuel’s artwork from the 1960s and 70s, in which he manipulates images appropriated from the mass media, explores performance and video art techniques, and reinterprets the human body itself as a vehicle for art. ... Read More

Arturo Herrera: Les Noces (The Wedding)

Friday, December 31, 2010

Americas Society released a fully illustrated publication about the exhibition Arturo Herrera: Les Noces (The Wedding), which explored the relationship between abstraction, animation, modern dance, and music. The catalogue features essays by Nuit Banai, Lynn Garafalo, and Gabriela Rangel, as well as interviews with Herrera, Christopher Newton, and Dame Monica Mason. ... Read More

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