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Critics Picks: José Leonilson

By John Arthur Peetz

José Leonilson: Empty Man at Americas Society is an "exquisite and intelligently curated survey [filled with] political importance and poetic urgency". 

José Leonilson was born in Fortaleza, Brazil, in 1957––seven years before the military coup that kept the country under the rule of military dictatorship until 1985. He spent most of his career working in São Paulo and traveling around the world until his untimely death due to complications resulting from AIDS in 1993, at the age of thirty-six. While his career was coterminous with the rise of the 1980s generation of Brazilian painters exploring a postdictatorship Brazil, his complex and diaristic intimacies set him apart from his peers...

This exquisite and intelligently curated survey also lays bare a certain institutional egregiousness. We are indeed lucky to be gifted with this first-ever solo exhibition of Leonilson’s work in the United States; however, it begs the question: Why, despite the commercial and institutional visibility of artists who deal with sexuality, mortality, and disease, such as Felix Gonzalez-Torres and David Wojnarowicz, has a body of work of this political importance and poetic urgency remained largely unknown?

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